287 безплатни аудиофайлове за "Algorithmic Composition"

Isle of Beauty by Thomas H. Bayly. Isle of Beauty von Thomas H. Bayly.

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Wann?, puzzle canon by Johannes Brahms.

The "bad guy" or "curse" motif familiar from all over the place.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

22-sharavana-sun, tibetan singing bowl the experimental mix-iii with ebc-174 & 396hz. Hello,this is the very real horst from town duisburg in germanyyou will hear an experimental mix of sounds created from energy bar chimes and tibetan singing bowl, mixed and modified with software audacity. This soundpiece includes different versions of stretched sounds from singing bowl with frequency of the sun as well as sounds from energy bar chimes frequencies solfeggio 174, aka foundation and 396 aka "liberation from fear" and binaural beats with frequency of the sun. Hope you'll enjoy listening and that you will find truepeace on your waythe very real horst.

Subtonic as secondary dominant to the mediant in minor from Brahms Op.76.7, Eight Pieces, for piano (1878).

Janacek Sinfonietta 2nd movement, opening bars

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone row with Schoenberg's initials preceded by remaining four notes.

Prime row form from Stravinsky's Requiem Canticles.

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Nokturn f-moll op. 55 nr 1Nocturne in F minor, Op. 55 no. 1

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

Mazurka no. 4 in a minor, op. 17

Waltz in A minor, B. 150, KK IVb/11, P. 2/11, often designated as No. 19, is a waltz for solo piano

Nokturn e-moll op. posth. 72 nr 1Nocturne in E minor, Op. posth. 72 no. 1

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Ballade No. 2 in F major, Op. 38.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Nocturne in D-flat Major, Op. 27, No. 2

Nokturn Es-dur op. 55 nr 2Nocturne in E flat major, Op. 55 no. 2

Nocturne no. 2 in e flat major, op. 55

Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2

Mazurka no. 2 in d major, op. 33

Nocturne Op. posth. 72 in E Minor

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Piano concerto no. 2 in c minor, op. 18 - i. moderato

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Ballade no. 3 in A-flat major, op. 47

John Philip Sousa's Transit of Venus March.

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Nocturne no. 2 in e-flat major, op. 62

Nocturne No. 20 in C-sharp minor, Op. posth.

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)